Janis Ian Wins a Grammy


Singer-songwriter, independent producer, long-out lesbian, and — not incidentally — proud science fiction geek (and SF author) Janis Ian won a Grammy for narrating her autobiography. She beat out such luminaries as Bill Clinton and Michelle Obama — and, as Ian squee’d on her Facebook stream, the First Lady went so far as to send Ian a personal note of congratulations. Um…STREET CRED MUCH?

Ian, you may recall, hit it very big very young with the brutally bittersweet, hopelessly gut-wrenching anthem “At Seventeen,” for which she won her first Grammy, in 1975. “At Seventeen” is about how much it sucks to be young and to yearn hopelessly and know that life will never be what you wish it would. It is a hell of a folk song, a hell of a pop song…but it’s more, because as itself, to me at least, it’s almost not survivable; certifiably virulent, that song can be lethal.

I remember seeing Ian perform “At Seventeen” on Saturday Night live when I must have been maybe ten or twelve, and I was all, “Wow, I feel like I’ve just been beaten in the face with a rubber hose.” I think of “At Seventeen” as far more than simply a pop song; it is a rabidly fearless piece of activist psychology, feminist and Feminist not by conception but by the very blood that pumps through its lyrical veins. Alongside such films as Todd Solondz’s Welcome to the Dollhouse and Alison Anders’ Gas, Food, Lodging, such albums as Ani DiFranco’s Not A Pretty Girl, such writing as Leslie Feinberg’s Stone Butch Blues*, Daphne Gottlieb’s poetry and my friend Violet’s writing about her life, “At Seventeen” stands as one of the works that made me begin to understand just how rich, bleak, beautiful and terrifying my female-born friends’ internal landscapes are.

But, through an accident of chronology, “At Seventeen” got their first, since I was about seven when it was released. It still makes me feel like I’ve been beaten with a rubber hose…but sometimes that’s what the artist has to do to make people understand, and only the real artists have the brass ones to do it when the time comes.

If there’s a blueprint for undoing male sexism, it’s helping guys understand some of the vivid internal terrors their female-born friends experience early in life. Some days I like to think that compassion and understanding are the answer to every terrible nightmare out there, and today is one of those days.

Art is the epicenter of any true revolution…in this case, voiced by women who speak the truth even if their voices shake.

Congratulations, Ms. Ian. You are fearless and shameless and bad-ass, and…thanks for that.

*I should note here that it’s my understanding Feinberg no longer identifies as female, but as transgender and alternatively-gendered or non-binary-gendered, and unless I am mistaken now uses alternatively-gendered pronouns. However, Feinberg’s brilliant novel Stone Butch Blues is very clearly about being female, butch, lesbian and working-class, so I count it with these other works about being female. Similar things could be said about some of the early work of Pat (now Patrick) Califia’s, which was clearly conceived from one part of the female side of the human experience, although Patrick is now Patrick and identifies as male. Transgender experience may have different elements in many ways than the non-transgender female experience, but growing up “assigned female” is still an experience with commonalities, even for those who later change or feel like they were always mis-assigned. Every person’s story is individual, just as every person’s gender is individual. That’s why autobiographical and semi-autobiographical works are so important to me.

Breaker of Nations

New reading: STALIN: BREAKER OF NATIONS by Robert Conquest. The first 20 pages is unbelievably pedantic, literal and detailed regarding Stalin’s early life…early, as being, like, WHETHER/WHEN/WHERE/IF he was “born,” in what specific location and into “what” “ethnic” “group.” The question is whether I.V. Stalin was Georgian or, as somewhat frequently reported, his father was an Ossetian immigrant to Georgia (the distance being about 20 miles). This is important because of how completely Stalin’s personality differs from the common Soviet-era conception of the Georgians (gregarious, friendly and drunk) vs. the Ossetians (harsh, nasty and dictatorial). This may seem like a pointless enterprise, but it certainly wasn’t to the Soviets after Stalin’s death, and it certainly isn’t given the “Breaker of Nations” subtitle. There is even a small linguistic hint that Stalin’s his “Georgian” second wife might actually have been ethnically Lezgin. However,  Conquest seems to miss it or does not point it out…score one for me, except that I’m sure, as Conquest says in the intro, he left out many of the more complicated details that would have made the book run upwards of 700 pages. I’m confident that to a typical English-speaking reader, the distinction between Georgian and Lezgin is, well…just one of those things about which they don’t give a damn.

There’s also some fascinating speculation by Conquest about “who” Stalin’s “real” “father” might have “been,” since Stalin’s comments about his own mother were often unkind in his later years, and she was thought to have had an affair with her employer roughly around the time of Stalin’s conception. Which would make Stalin half ethnically Russian, which I had already thought he was (apparently he’s not…the question’s between Georgian/Ossetian and Georgian/Georgian, unless his father wasn’t his real father).

It’s all very Star Wars, which seems reasonable given Conquest’s assertion that Stalin may have shaped the twentieth century more than any other person. Of course, Conquest would say that…he’s the English-speaking world’s foremost Stalinist.

So far this book is so unbelivably detailed and literal, in fact, that I don’t think I’ve ever been happier.

Robert Conquest, will you marry me? You’re the greatest Stalin writer in history…

Laughter May Be Hazardous to Your Health

This ’80s-era short film aired on Saturday Night Live, “Laughter May Be Hazardous to Your Health” may be my favorite short comedic film of all time. For years, I’ve looked for it…never found a copy on the web. And here it is! It features Harry Shearer doing his dead-on Mike Wallace impression and Christopher Guest (now Sir Christopher Guest) and Billy Crystal as old-school novelty businessmen. It also features what I think was the first appearance of Martin Short’s recurring character, sweaty-lipped lawyer Nathan Thurm.

As far as I’m concerned, this is satire at its finest.

Joe Biden: Beer-Swilling Working-Class Yokel or Wordy Egghead?

You know, humor writers are fond of portraying Joe Biden as a beer-swilling bumpkin.

In fact, he’s a tea-totaler, and the guy quotes Keats in speeches. The worst offenders are The Onion and The Daily Show.

Could the characterization derive from the fact that he went to a public university as an undergrad, and a non-Ivy (the private Syracuse University) for law school?

Could there be, oh, an element of, I don’t know, CLASSISM to this characterization of Joe, particularly from The Onion, which is famously staffed by Ivy League types?

Nah…classism in the U.S.? What are the chances?

Nonetheless, there’s always good comedy to be found in copper wire theft. And yeah, I went to public school, too, so draw your own conclusions…

My Sucky Valentine 2013

My Sucky Valentine 2013

 

Many of you may be familiar with my annual reading event My Sucky Valentine. You may also be familiar with the SF erotic spoken word salon, Perverts Put Out. This year, for Valentine’s Day, we’re joining forces. I’ll be co-hosting with Simon Sheppard and Dr. Carol Queen. Be there!

My Perverted Sucky Valentine Puts Out!
Saturday, February 9
Doors 7pm, Show 8pm
The Center for Sex and Culture
1349 Mission St. San Francisco, CA 94103

For an anti-Valentine’s event of epic proportions, two of San Francisco’s most celebrated erotic literary events join forces! On February 9, the Center will host the collision of Perverts Put Out and My Sucky Valentine! Come hear some of SF’s favorite erotic authors read and tell stories about dirty love, dirtier lovemaking and the train-wreck delights of romance-gone-wrong!

Our three-way of hosts will be Carol Queen, Simon Sheppard and Thomas S. Roche; expect filthy heartache from Bay Area luminaries Charlie Jane Anders, M. Christian, Daphne Gottlieb, Philip Huang, Allison Moon and horehound stillpoint. This event is a benefit for the Center for Sex and Culture and the St. James Infirmary.


 

“Leave the gun…take the cannoli.” It turns out actor Richard S. Castellano, who plays Clemenza in The Godfather, was the nephew of none other than “Big Paul” Castellano, leader of the Gambino family who was murdered outside Sparks Steakhouse by Sammy “The Bull” Gravano and other associates of John Gotti.

The Last Words of the Executed

University of Chicago Press offers a free ebook each month. This month’s is 2010′s “The Last Words of the Executed,” which is “an oral history of American capital punishment as heard from the gallows, the chair, and the gurney.” It even has a foreword from the great Studs Terkel.

More:

Some beg for forgiveness. Others claim innocence. At least three cheer for their favorite football teams.

Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney.

The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there.

Wretched Science Writing on Idaho Falls and the SL-1 Incident

William McKeown’s “Idaho Falls,” about the Idaho Falls SL-1 reactor incident in 1961, may be the most awful non-fiction book I have ever read — and believe me, there’s a hell of a lot of competition for that “honor.”

I should have known I was in for a ride when I scratched my head at the subtitle. “The story of America’s first nuclear accident.” Um. Except for the Santa Susana and Westmoreland partial core meltdowns in the 1950s and 1960, respectively, the Daghlian and Slotin deaths after their close encounters with the “demon core,” in the 1940s, plus a whole slew of military incidents in the 1950s…including non-nuclear detonations of nuclear weapons on U.S. soil. It might seem like nitpicking — but in nuclear science, terminology is critically important (get it?) The author didn’t even discuss the terminology used in contemporary incidents, nor did he address what is meant by “incident,” “accident,” and related terms. Instead, page after page after page after page after page after page is spent discussing the intimate family details of the servicemen responsible for the accident. I could be wrong, but I don’t think Slotin or Daghlian are even mentioned. If they are, the treatment is brief and inconsequential compared to the vast amount of ink devoted to the utterly irrelevant information and speculation about families of the men involved in the incident….about which, the same information is repeated over…and over…and over again, as if the author, you know…didn’t have anything else to talk about. How much weepy speculation is required in a book about a nuclear accident on how a son remembers his father, or what  path the SON’s life might have taken if the father hadn’t died — when the son is unrelated to the incident. I get the sense the author was trying to fill pages without doing any additional research. That’s utterly mind-boggling in a book about nuclear technology, since there’s more information about nuclear accidents on Wikipedia than in all of McKeown’s book.

I can’t possibly go into everything I hate about this book, since there’s probably more words to be written about how bad this book is than there is in the original work. This is a textbook example of how bad popular science writing can be. Imagine The Hot Zone with ONLY the overwrought tones of terror present in the most overblown scary segments about how ebola rips you apart from the inside. Now imagine that kind of narrative style applied to such speculative scenes as how much liquor was consumed by Idaho Falls workers on a given night, or what a husband and wife or a commanding officer and subordinate may have said to each other while they were having a fight…in 1960.

What it boils down to is that the author tries to whip up drama from complete speculation, using overheated language for the most simplistic claims. He goes into great detail about very sketchy personal interactions, speculating wildly about what happened off the record — which is not a hanging offense — and, far worse, doing so in a crazed, overheated narrative voice that made me feel like I have been buttonholed at a backyard party by a crazed conspiracy theorist whose conspiracies are without a doubt the MOST BORING CONSPIRACIES IN HISTORY.

Obviously, this is a book that’s been padded from relatively sketchy information. The author does not really seem to understand the milieu of nuclear power, and repeatedly refers to atoms buzzing like “angry bees.” Such language is ridiculous the first time, and by what seems like the ten thousandth, the author has completely exhausted any chance of being taken seriously in my mind.

This dissonance becomes particularly evident near the end, when the author introduces some essentially unrelated questions (in quotations) about nuclear waste, as if it is a huge revelation, and as profound as the author thinks every other word in this book is. Unfortunately, such a sentiment is pretty pointless…since the SL-1 incident had nothing at all to do with waste. It was an operational accident, not a waste accent. That just goes to illustrate the incoherence central to this book’s narrative. As a reader, I was let with no real picture of what actually happened, in operational terms, or what the institutional failings were that led to the SL-1 incident. That makes the author’s completely credulous delivery of the “suicide” and “love triangle” hypotheses seem like I’ve stumbled on to the set of The Jerry Springer Show.

Ultimately, the lack of credibility in this book is not about specific problems but about something ineffable. I felt like the author either knows virtually nothing about nuclear history, or is simply a terrible writer…and not that smart. I find that last point somewhat impolite of me to make, and unlikely. But I can’t resist making it after suffering through this book’s delirious overblown and largely content-free narrative.

I’m not suggesting there’s not a story in the Idaho Falls incident, but this author was apparently unable to find it. Instead, he gave us an incoherent mess of a book with a clear agenda to whip the reader up into a frenzy.

Avoid this book like you would a swarm of angry bees.

“A Ripping Good Zombie Story”: The Panama Laugh Narrowly Escapes Being Recommended

Someone named Sean Broderick most explicitly managed to not recommend my novel The Panama Laugh,/a>, but did so while calling it “A ripping good zombie story.”

Y’see, it seems Sean’s recommendations list, delivered in a blog at uncommonwisdomdaily.com, is restricted to science fiction titles. It’s like this, see?

A friend asked me for a list of science fiction for her husband. She just bought him a Kindle for Christmas, and she specifically wants science fiction — “he’s not into fantasy.” So, I won’t, for example, recommend “The Half Made World.” Heck, I won’t even recommend a ripping good zombie story like “The Panama Laugh.” Nope, we want sci-fi, and sci-fi only.

 

Okay, for the record, to me The Panama Laugh is science fiction, though it’s science fiction-horror. But hey, whatever. Childhood’s End it ain’t, I’ll give you that.

Though I’ve had almost no time to read fiction this year — and probably will have even less next year — the list is a pretty interesting one. Check it out here.

And thanks, Sean! A ripping good zombie story, indeed. If I could get omitted from every year-end recommendations list in such manner, I’d be pretty okay with that.