Now For Sale in the Kindle Store: Viva Las Vegas, a Zombie Crime Story

I’m celebrating Halloween by putting all my old zombie stories up in the Kindle store. “Viva Las Vegas” is Zombie Stories #1.

When the zombocalypse hits, a Mob hit man who made the mistake of working “one last job” and got his fiancee killed must cruise the broken streets of Vegas looking for her.

Buy a copy of “Viva Las Vegas” for 99 cents in the Amazon Kindle Store.

“Viva Las Vegas” was the very first zombie story I ever wrote.

I had been re-reading The Godfather and Goodfellas and reading the books of former FBI agent William F. Roemer, about the Chicago mob. I was totally obsessed with the Sicilian-American Mafia and organized crime in general. My friend Alex S. Johnson told me John Skipp was reading for another Book of the Dead anthology. Some years before, I had read the original Book of the Dead, an anthology of stories based on the world of George R. Romero. I thought it was the most drop-dead amazing horror I had ever read.

So I wrote “Viva Las Vegas,” “A tale about dirty rotten gamblers and the heavily-armed hit man who kills them a second time…sometimes a third.” I made it as tragic and hard-boiled as I could stand, and extra-bloody because you can’t have a zombie novella without cracking a few heads. The original version was 7,700 words, and i trimmed it down to about 7,200 to speed up the action.

After I submitted the story, Skipp called me at home one day. He told me how much he loved the story, but he couldn’t take it…because while it was 100% true to his crime-novel sensibilities, it wasn’t quite true to his Book of the Dead sensibilities. I think those were his words, more or less. I was so blown away by getting a call from John Skipp that I just bleated and glorped. I think I mighta squeed.

Anyway, when my friend Shade Rupe was collecting stories for a second volume of his amazing magazine/anthology Funeral Party, it was at a time when I didn’t really consider myself a nonfiction writer.

So I sent him this. He loved it. It appeared in that amazing tome.

Some years later, it was selected for a volume of James Roy Daley’s Best Zombie Stories anthology series.

It’s one of my favorites. Like all my zombie stories, it cuts to the heart of my mythology, even if it’s a very different mythology than other zombie stories I’ve written. When I came back to the genre with The Panama Laugh, I had this character very much in mind…but this guy isn’t quite Dante, because the time between one work and the other had warped me profoundly, and I had much more to say.

Zombies, like vampires, are a template for thematic improvisation and psychological exploration. While that’s true of all monsters, fictional and nonfictional, it’s with zombies and vamps that I find my own obsessions framing the argument so the agonies seem real.

Doing anything else would be unfair to the characters. Laugh if you want, but I take horror seriously.

Hope you enjoy it. I know I liked writing it.
 

 

My Zombie Bibliography

Given the stunning, overwhelming, “Tell-Scorsese-he-can-wait” success of my first novel, noir-themed zombie apocalypse The Panama Laugh (of which there are extremely few copies left — extremely few! — so you’d better buy it right now or they might run out), people keep asking me, they say, “Rosanne Rosanna-Danna, what other a-zombie stories have you a-written?” I tell them, well, it’s like this.

My Affairs With the DeadZombie Stories by Thomas S. Roche

“Viva Las Vegas.” A tale about dirty rotten gamblers and the heavily-armed hit man who kills them a second time…sometimes a third. Only incidentally funny. When the zombocalypse hits, a Mob hit man who made the mistake of working “one last job” and got his fiancee killed must cruise the broken streets of Vegas looking for her. (Appeared in Funeral Party 2, edited by Shade Rupe.) Buy a copy of “Viva Las Vegas” for 99 cents in the Amazon Kindle Store.

“The Sound of Weeping.” A short story of terrifying necroschtuppery. Not funny. No LOLZ, really. Charlie Quinn, a morgue attendant in a small Northern California hippie town fights with his gay coworker for teasing him — but inside he’s fighting his own erotic impulses until they break him…and break the laws of living and dying… (Appeared in Queer Fear, edited by Michael Rowe.) Buy a copy of “The Sound of Weeping” for 99 cents in the Amazon Kindle Store.

“Veggie Mountain.” A story of homophobia, with no LOLZ at all. The sequel to “The Sound of Weeping.” On the non-responsive ward in Monteverdi Hospital, also known as “Veggie Mountain,” the now-catat0nic Charles Quinn has been incarcerated after being found incompetent to stand trial for a string of brutal sex-murders. A homophobic attendant who’s been accused of abusing the inmates finds that Charles remains catatonic for a damned good reason, and when he’s threatened, a few “old friends” may show up to visit… (Appeared in Queer Fear 2, edited by Michael Rowe.) Buy a copy of Veggie Mountain for $2.99 in the Amazon Kindle Store.

“Deepwater Miracle.” A novella of the chuckleheaded apocalypse. Only incidentally funny. Set in the world of The Panama Laugh, the novella-length “Deepwater Miracle” follows two seafaring brothers as they try to make landfall in Texas after crossing the oil-choked Gulf following the Laughing Apocalypse. (Appeared in Z: Zombie Stories, edited by J.M. Lassen.)

“St. John of the Throwdown.” A tale of beach-bound frat assholes. Not funny…plenty LOLZ. Set in the world of The Panama Laugh, “St. John of the Throwdown” tells the story of a homeless teen on the run, and her experiences on the beach in San Francisco the morning the world ends with a giggle. Appeared on the podcast Open Source Sex, read by Violet Blue (for whom the story was written). Buy a copy in the Amazon Kindle Store.

“October in Tuscvari.” A gonzo tale of alien mind control. Sadly, I anticipate pushback from any playa hatas who believe that all zombiism comes from the copious manhood of George Romero. There was a whole not-very-good genre of zombie flick well before Georgie was in short pants. Before zombies ever became the walking dead, they were the victims of mad scientist mind-control rays, so I feel I must include “Tuscvari” in the zombie list, even though there’s not a living dead person to be seen. It’s about bigfoot, aliens, and a lawyer with a really hot biracial wife. No, it’s not dirty, except when the two hippies feed each other free-trade organic chocolate. It’s about politics. Published on Thomasroche.com on Inauguration Day, 2008. Buy a copy of “October in Tuscvari” for $2.99  in the Amazon Kindle Store.
 

 

The Rum Diary: Handy Checklist for Reviewers

I’ll cut Regina Weinreich a huge amount of slack for producing and directing a documentary on one of my favorite writers of all times: Paul Bowles. (This is a documentary that I have not seen, incidentally…at least not that I can recall — Paul Bowles: The Complete Outsider.) But I have no idea what she is trying to say here in her Huffington Post piece about the premiere of The Rum Diary:

The fans outlying MoMA for the New York premiere of The Rum Diary were quadruple deep, awaiting the arrival of the star, Johnny Depp. Too bad the Titus I screening room was three-quarters filled. Apparently the star did not want a full house. Why? Let’s call it the vagaries of stardom. I had met Depp before, before his turn as Jack Sparrow turned him quirky. At the premiere of an earlier film we talked about his double roles in Julian Schnabel’s Before Night Falls (brilliant), and his passion for beat literature. With Hunter S. Thompson, it’s guilt by association.

As a scholar on the subject with a Ph.D. in Kerouacology, I spoke on panels with Hunter S. Thompson. At one academic panel in the mid-’90′s Hunter lit up a pipe and the auditorium’s first five rows inhaled in a grateful wave. Ah, that’s what we expected from Hunter, and that is what his reputation thus far is based upon: his irreverence.

Huh? I’m unclear on whether she loved it, hated it, loved or hated Thompson (who certainly has his share of detractors).

The closest thing to qualitative or committal statements I can find here are “It’s time to reassess Thompson’s contribution to American letters” and the following:

For me, the best part of this meandering cartoon movie is a sight gag with Depp’s Paul Kemp riding atop his sidekick photographer Bob Sala (Michael Rispoli) in an open vehicle, up and down, up and down over cracked cobblestones on bumpy streets. That’s as close to titillation you get despite eye-candy provided by Amber Heard as Chenault, and Aaron Eckhardt as her rich boyfriend Hal.

[Link.]

I suppose I could Google her, but I’d honestly rather just track down her Paul Bowles movie and write her movie reviews off as too precious, erudite and non-committal for her own good.

The fact of the matter is, any review of a film based on a Hunter S. Thompson book is automatically inadequate. No matter how wretched the movie is, the reviews must stand up to the inevitable comparisons to Doc G himself.

If I could teach a film review class, believe me, you’d get an earful. Here’s what you need to properly review a Hunter S. Thompson film.

Handy-Dandy Checklist for Reviewing Hunter S. Thompson Films

1) When reviewing a film, don’t mention the film until the last paragraph, unless your editor actually draws a loaded firearm. (Note: LOADED.)

2) Make sure nobody has the faintest idea what you’re talking about. (Ms. Weinreich seems to have gotten that one right).

3) Since nobody’s going to know what you think about the film, it’s best if you don’t waste your time seeing it.

4) If pressed by your editor to actually discuss the film (please note above: LOADED), please compare the film to a 13th-century Italian poem or some ancient Greek thing, or something, in the same paragraph that you compare it to something exceedingly rude (porn film, snuff film, a specific category of steaming turd. It has to be specific.) Also, discuss wringing the neck of some obscure ’70s political figure at some point during the review, if at all possible.

5) Where appropriate, suggest that the author and/or director should be made President and/or boiled in oil on live television.

6) The word “scumsucking bastards” should be used at least ten times. It doesn’t have to be written into the review, but you should mutter it while you write.

7) Include details on your drug use while “watching it,” or don’t even bother.
 

 

Say Hello to the Monster: What Halloween Has to do with Occupy Oakland

Photo by AJStream, from Flickr.

When I was a kid, I never really cared what I was for Halloween, as long as it got to kill people.

More often than not, I dressed up as the characters I thought were having a way more exciting life than me: guys in the Army.

Yeah, I know (now) that guys in the Army don’t have it all that good. It’s not all ultra-cool stuff like crouching in a rice paddy eating baked beans from a can off the end of your still-bloody bayonet. It’s, like, paperwork and saluting and stuff, and trying to get your mortgage paid on a salary that dwindles every year. It probably sucked then and it probably sucks now, but I was a kid, WTF did I know? I thought it was all John Wayne in The Longest Day and Bob Crane in Hogan’s Heroes, romancing German girls and giving Gestapo guys wedgies. That’s what war is, right?

My father is a hardcore military nerd, just like me, so he helped me hugely with his vast stores of knowledge on uniforms and gear from his eight years as a mortarman in the National Guard, an early-’40s childhood spent watching newsreels from the war, and his compulsive reading in contemporary military history. He explained to me the exact shape and configuration of a white phosphorous grenade (armed forces designation AN-M14, in case you’re wondering) and helped me figure out how a Shasta Cola can could be turned into one and exactly what it would do to the interior of a tank with a crew of Hans-es and Gunther-s in it, which I thought was friggin’ awesome. Death! Murder! Mayhem! Burn those Nazis alive! Fry up some German sausage! Freedom forever! God Bless America! All enemies, foreign and domestic! Eat lead, suckers!

What’s that, you say? Didn’t I want to be an astronaut? Sure, I would have dressed up as an astronaut…as soon as those pansies in Congress started arming NASA! Seriously, they were sending people into orbit without even sidearms? Hell, you think the Russies are that stupid? I don’t think so, hippie! What happens when the space zombies come…you gonna hit ‘em with algebra? Slap ‘em around with your Master’s degree? Only wimps dressed up as astronauts for Halloween.

Sure, year that Star Wars came out, I was Luke Skywalker. Because my family wasn’t exactly swimming in credits, I painted a stick with fluorescent paint (badly) to serve as my lightsaber. (Don’t worry — me and my sister got lightsabers for Christmas, aka “flashlights,” leading to many spirited lightsaber battles.) But I spent about a hundred times as much effort on the lightsaber and the blaster (a tracer gun with a bunch of fruity crap glued all over it) as I did on the robe and the boots.

Actually, I just threw on a bathrobe went around shooting things, which would become a running theme in my life. The galoshes were particularly fashionable, and big enough on me that I could stuff a couple boot knives and extra blasters down there. Better safe than sorry, even if I rattled when I walked. The idea wasn’t so much to “trust your feelings” or “feel the Force flowing through you” as to hack people to death with high-energy plasma and blow holes in things while making smart-assed remarks. That, too, would become a lifelong habit.

Another year, I was a detective — not a cop, mind you, I never wanted to be a cop, just a detective. But no, I wasn’t a detective with a deerstalker cap and a pipe and a magnifying glass…I had cigarettes, a fedora and about twenty revolvers stuffed into my overcoat. I was a six-year-old kid who made Mike Hammer look like “the negotiator.” I was the nightmare of jaywalkers everywhere.

Mostly, though, I wanted to be a cigar-chomping combat fighter…an Army Man. Because what red-blooded American boy in the ’70s wouldn’t like to kill people for a living?

Simmer down, Army people, I know you don’t “kill people for a living,” you “serve your country honorably.”

Just like private detectives don’t suckerpunch litterbugs; they dig through big stacks of canceled checks and dive into file cabinets looking for for birth certificates.

And Luke Skywalker never slice-and-diced any Stormtroopers with his glo-stick, at least not until I was too old to dress up like him without looking like a choad.

And by then I’d learned about Ronald Reagan, the ultimate monster, and I’d learned about nuclear war, and jobs, and how much everything sucked. I didn’t want to kill people anymore. I didn’t want to fight in the Army and I didn’t believe that the people who ran my country had the faintest clue what they were doing, and I sure as hell knew they didn’t have my best interests in mind. When Reagan made his joke about the bombing beginning in five minutes, I yelled and screamed about impeachment; I was a precocious 13-year-old. And when Ronald McReagan floated the Star Wars plan, I was disgusted that anyone even thought about giving his boneheaded ideas a fair hearing; I knew then, as I know now, that the release of nuclear weapons is not something you can beat.

But suggesting that nuclear weapons can be shot down safely? Pretending down is up, black is white, social security is an “entitlement” and nightmares are dreamscapes?

That sounds really familiar. The monsters are still telling us all about it.

I just got into a tangle on Facebook with a friend of a friend who said about the Occupy Oakland attacks, “It happens.” He said that a woman had been killed following a Red Sox game. “It happens.” “The police tell people to disperse…they don’t disperse.” “It happens.”

It doesn’t happen. Not like this, it doesn’t. In Egypt, yes. In America…no. Not now, not ever. Not without grievous consequences.

Monsters exist because the people don’t have the guts to slay them. Monsters exist ’cause “it happens.”

And it happens ’cause the monsters come out to play, people, in an ever-building loop that starts when they come for the communists, and then they come for the trade unionists, and you don’t say anything because “it happens.”

It happens because the people see crap-ass policing like what happened in Oakland and they roll their eyes and make apologies for incompetent leadership. They don’t demand Mayor Jean Quan’s immediate resignation. They don’t hear the Oakland Police claiming no rubber bullets were use, and realize that police departments that lie in public deserve to be disbanded. The citizens don’t call bullshit on assholes saying of unconscionable police tactics, “It happens.” People who don’t know what they’re talking about, incidentally, because no, it doesn’t happen.

I lived in Oakland for years, so I know what I’m talking about. That city is brutalized by its administration. Its elected officials, in my experience, are privileged idiots who walk on air above the torments of the populace, eternally in bed with developers and selling out small business for their own gain. Its police force closes ranks around revolting behavior — yes, like police forces everywhere, partially because they feel that’s what’s necessary to keep police work safe for its workers…and I don’t always even disagree with them.

But in Oakland, it’s out of control…and it’s out of control in America.

The people have spent too many years shrugging and saying “It happens.”

This is what happens when the monsters come out to play.

Happy Halloween, everybody. May Freddie, Jason, Robert Neville and my cigar-chomping white-phosphorous-tossing homicidal Army guy get you before Wall Street does.

(This article was cross-posted to The Night Bazaar)

Herman Cain’s Chief of Staff is the New Cigarette Smoking Man

The smoking is what everyone’s getting worked up about. But there are actually several weird things about this Herman Cain campaign ad:

1) First is how confused Herman Cain’s chief of staff, Mark Block, seems about his lines. He seems to pause in odd places. Block is chief of staff to a guy running for President, and he can’t be bothered to learn his lines? And when he croaks them out weirdly, their obviously highly-paid videographer with an iPhone can’t say “let’s try that again, from the top?” What demographic is that appealing to? The voters who spend all their time thinking, “Whoever I end up voting for, It’ll be the guy whose chief of staff doesn’t really care that much.”

2) Then there’s the truly bizarre gay-dance-club-at-12:30-am Autotune Anthem toward the end. WTF voter demographic are they trying to reach with that? “We go out of our way to go to really shitty clubs and complain about the music…and we like it that way?”

3) Also at the end, it’s weird how hard Cain seems to be trying to look sinister there while the Autotune Anthem plays. “Okay, now smile. No, no, smile like you just eliminated Medicare. That’s it!” Maybe he’s just trying to look serious at first, then friendly. If that’s Cain’s serious-vs-friendly face, I do not want to see his “Oh shit, the Europeans already tried this!” face.

4) Going back to Block, what the hell happens to his head there at 0:22? When he says “…can put the ‘United’ back in the ‘United States of America’” it looks like he does a bit of that Doctor Who thing where everyone became The Master. It’s pretty freaky.

5) Last, but far from least, is the cigarette. That’s right. There at the end, crusty-looking Mark Block takes a HUGE DRAG OFF HIS CIGARETTE.

Then, you wanna know what he does, just in case you missed that he just slurped a cloud deep down into his small-cells? Block blows smoke at the camera, as if to say, “Yeah, fuckwads, I’m smoking a cigarette. Wanna say something about it? Go ahead. This shit will get put out in your eye.”

It’s almost as if this video were being shot in an office park right beneath a “No Smoking” sign.

What voter demographic is Cain is going after by letting his chief of staff smoke a butt on camera? The vast legions of Republican voters who were closet X-files fans when they were younger — and who always rooted FOR the Cigarette Smoking Man?

If they’re looking for smoking fetishists…well, there are much more enjoyable ways to indulge that vice…

Julie Simone for TheRedChair.net (link is NSFW)
 

 

Republican Frontrunners’ Constitution Amendment Would Outlaw Birth Control Pills

From my new article in Tiny Nibbles: Flip-flopper Mitt Romney demonstrates not only that he’s confused on the abortion issue, but on how babies are made; Rachel Maddow helps him sort it out.

But all major Republican candidates advocate a Constitutional Amendment that would eliminate all hormonal contraception, including The Pill. Michele Bachmann, Tim Pawlenty, Jon Huntsman, Rick Perry, and Herman Cain don’t seem all that clear on this. Ron Paul, at least, understands what he’s advocating, since as a physician he’s delivered 4,000 babies. But his opposition to Federal regulation of abortion is strictly on procedural and States’ Rights grounds.

Or maybe it’s that Bachmann, Pawlenty, Huntsman, Perry and Cain understand wanting to outlaw all forms of hormonal birth control will be poison to voters once they get past the hazardous-to-their-health Republican primary. No candidate can win the American Presidency by planning to change the Constitution to outlaw The Pill. Read all about it at Tiny Nibbles.

As many of you may know, I’ve been writing articles on sexual health, science and politics for my good friend Violet Blue’s blog, Tiny Nibbles, the second most-trafficked sex-related blog on the internet. This article on the Republican frontrunners’ stance on a life-begins-at-conception Amendment to the US Constitution is my latest article for Tiny Nibbles.

As the election heats up you can probably plan on seeing me getting more worked up over sexual health politics, so…get used to it. There will also be zombies…some day. Some day there will be zombies. Some day.
 

 

Mind Meld at SF Signal

Image from Arthur's Bookshelf.

I was asked to participate in a recent Mind Meld over at the science fiction blog SF Signal. The question was “What book did you last read that you would recommend to a friend.” I love the answers — it’s always great hearing what other readers are enjoying. In keeping with my recent Steampunk reading (though I don’t know if source materials can be steampunk, at least the first time around…), here’s part of mine:

Currently I’m formulating some ideas about a character who writes Victorian science fiction, so the last book I read is one I’ve read before and totally love: The Huge Hunter, or The Steam Man of the Prairies by Edward Sylvester Ellis. It is one of the first examples of the boy inventor genre, a genre that John Clute (well after the fact) called the “Edisonade,” although the main character of The Huge Hunter is actually not a boy — he’s a little person…

Read the rest at SF Signal.
 

 

[Techyum] Polynesia Tourist Cannibal Death Claim: Racist or Real?

Image from Survival International.

Forty-year-old German yachtsman Stefan Ramin disappeared in September while on Nuka Hiva, a remote tropical island in French Polynesia. After charred bones and teeth were found on the island, the press is awash with reports that Ramin was eaten by cannibals. Survival International, the chief global advocacy group for tribal peoples, says the accusation is fueled by racism.

The Telegraph, Daily Mail, Fox News, The Sun, and Australia’s The Independent are all on the cannibal holocaust bandwagon, with another Sun story quoting multiple German professors with Lovecraftian relish:

Stefan Ramin, 40, may have been killed in a ritual common on the island of Nuku Hima 250 years ago. His remains were found around the ashes of a cooking fire.

Prof Annerose Menninger, of Munich University, said he was perhaps first slaughtered to “honour” the offering to a god.

Cannibal expert Dr Gundolf Krüger admitted: “Polynesians are now Christian and literate, therefore pious and educated. But it is entirely possible that the criminal was led by old rituals into this crime.”

Yes, that’s really what the UK press is quoting. “Christian and literate, therefore pious and educated.” (emphasis mine). Whatever happened to Herr Ramin, Herr Professor Krüger sounds like he needs a less in cause and effect at the very least, and maybe a slap in the face or two.

Read the rest at Techyum. Image from Survival International.

[Night Bazaar] Point of View

This week we’re talking about narrative point of view, a topic close to my rotten, diseased heart. My nearest and dearest will tell you that there is nothing I love more than annoying the living bejeezus out of readers by using an atypical POV.

Mind you, this only really works (for me) in short fiction. With novels, I always gravitate toward first-person. But more on that later. First, let me brag about my bad-ass POV-fu, and how annoying it is. I swear, sometimes I think I’m going to get myself knifed! Like the time I opened a story with a long passage in second-person future subjunctive. (“If you were to go downtown on a Saturday, maybe you’d be looking for this particular corner…then if you were to knock on the door and say, ‘I’m here to annoy readers’…”)

You woulda thought I’d just been caught in public badmouthing Joss Whedon!

Of course, far more common is my fondness for second-person. I love this shit, because it calls into question who exactly the viewpoint character is. My love of second-person narration is well known among my small circle of beta readers. (I even co-wrote two romantic books all in second-person.) Lots of people hate that.

Then, of course, there’s the fact that I love present tense. That’s not POV, but it certainly relates directly to it; tense and POV are the two most central (and easily variable) things about any piece of fiction writing.

Read the rest at The Night Bazaar.

Donor Unknown (2010, dir: Jerry Rothwell)

Docfest: Donor Unknown

Reviewed by Thomas Roche for SF Appeal

Director Jerry Rothwell’s 2010 film Donor Unknown has its final Docfest screening tonight at 5pm at the Shattuck. It tells the story of 20-year-old JoEllen Marsh, a Pennsylvania girl with two mommies who’s always wanted to learn about her biological father, an anonymous sperm bank donor, whom she knows as “Donor 150.”

Through a website for the biological children of sperm donors, JoEllen finds her New York half-sister Danielle, and their story getting covered in the New York Times. It comes to the attention of Jeffrey Harrison, who lives alone in an RV with four dogs and a pigeon in California…. and once upon a time, was the hard-up-for-cash Donor 150.

Read the rest on SF Appeal.